This season we shift focus to the distinct East Asian tradition of lacquerware. Early examples of this material date back to the neolithic period and the cultures of the Hemudu (c. 5000 – 4500 BCE) and Liangzhu (c. 3300 – 2300 BCE). These fragmentary, early finds of simple vessels such as bowls, cups and ladles precede an extensive history of highly skilled craft. Lacquerware eventually became associated with elite tastes and the imperial courts and, what once began as a practical solution and protective coating, developed into intricate carved and decorated art objects ranging from bowls and writing boxes through to screens, furniture, ceremonial items and of course, snuff bottles.
Our Summer Collection for 2026 explores a variety of lacquerware from the so called ‘bodiless’ wares of Fuzhou through to deeply carved and instantly recognizable cinnabar-red forms. Refined decorative inlay pieces from centers such as Yangzhou and Beijing feature here too, alongside stunning examples of lac-burgauté, or mother of pearl inlay work. A technique introduced from Tang China to Japan during the Nara period, which eventually developed to become its own unique style.
All of these pieces evidence of a highly skilled and meticulous process of production. Artisans painstakingly applied many thin layers of lacquer to a wooden - or sometimes linen - supports, allowing each to cure in carefully controlled humidity before polishing the surface smooth. The resulting body lent itself perfectly to figurative, relief carving, painting, decorative inlays or the addition of gold and silver powders.
As ever we hope that you enjoy the collection and please don’t hesitate to get in touch with any further questions.