https://paviliongallery.com/artefacts/the-summer-collection-2025 daily 0.75 2025-06-19 https://paviliongallery.com/artefacts/the-summer-collection-2025/ketch-between monthly 0.5 2025-05-06 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e734c139-4b98-4667-a071-e28a531cbcc2/31.2.300.png The Summer Collection 2025 - Ketch Between https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1746542418652-NR8BYEP3959WP81NVX6Z/31.2.300.jpg The Summer Collection 2025 - Ketch Between https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1746542425023-WSFWMKCP1P007I5BD1Y9/31.2.300%28b%29.jpg The Summer Collection 2025 - Ketch Between https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1746542431486-WH97XABV1QKBNOHTMEK5/31.2.300%28c%29.jpg The Summer Collection 2025 - Ketch Between https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1746542437757-25FJQXFM4JNRQPEU69XQ/31.2.300%28d%29.jpg The Summer Collection 2025 - 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Belgrade 2 Theatre Coventry https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628000863145-CUU9TUT4SADXAQSA6HCY/pavilion-gallery-home-banner-21.1.1631.jpg Home https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158134312-78M41ZSRYLD2NA7ZA9SI/pavilion-gallery-home-viewing-room.jpg Home https://paviliongallery.com/paintings daily 0.75 2022-06-13 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1655120890628-MPB3HW507IKN2MRO692S/pavilion-gallery-paintings-diasporic-ink-collection-artwork-artist-liu-kuo-sung-new-york-hong-kong-london-uk.jpg Paintings - Liu Kuo-sung https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633011142178-AWEEZEEODCY33S70HDY6/21.1.1275.jpg Paintings - Liu Kuo-sung https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633012557838-NM1F4M3NG8VUMY6ZZD82/21.1.1711.jpg Paintings - Wucius Wong https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633015906714-3RGCOIU26349623L2KC2/21.1.1733.jpg Paintings - Tseng Yu-ho https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633011605622-CB973XTWQHZ3939C4ACK/Kwan.jpg Paintings - Chen Chi-kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628007237078-8M5FAPNG2K2GFB6HT7S2/pavilion-gallery-paintings-diaspora-ink-lui-shoukwan.jpg Paintings - Lui Shou-kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633011500884-2Z2UYPK4812TJ2RNOGFR/21.1.1367.jpg Paintings - Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633011100954-BAW6XEA9DDO6ONKQSA96/21.1.373.jpg Paintings - Fang Zhaoling https://paviliongallery.com/artists-liu-kuosung daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158905192-DQTU9PA4W70MBNKZXOGL/pavilion-gallery-home-viewing-room.jpg Artists - Liu Kuo-sung https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158528121-KOH9TFR4T1LMNTPU9GT8/pavilion-gallery-paintings-diaspora-ink-lui-kuo-sung.jpg Artists - Liu Kuo-sung - OMNIPRESENT MOUNTAIN VOICE Signed and dated 1978 with one seal of the artist Ink and colours on paper 57.7 x 94.6 cm https://paviliongallery.com/journal daily 0.75 2025-01-27 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631781431474-DBHVRAFLJB94M0LNVIRM/Reactionary+2_b.jpg Journal https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633692432909-FS45P3EZ8I89JGYJUC4P/Route+6_Ling+Pui+Sze.jpg Journal https://paviliongallery.com/issue-one-immaterial daily 0.75 2025-01-24 https://paviliongallery.com/issue-one-immaterial/japanhouse monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/87deb1a9-1a3a-4ee7-8ad4-1a3d1ee1c17a/P1140013.JPG The Orchid Pavilion - Pavilion Review: Hyakkō 100+ Makers from Japan - Make it stand out Ceramic works by Morioka Shigeyoshi b. 1948 Nara / based in Wakayama https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/45903352-8913-4000-a9b2-e712bef11f1a/Screenshot+2026-01-19+at+16.26.52.png The Orchid Pavilion - Pavilion Review: Hyakkō 100+ Makers from Japan - Make it stand out A wood fired piece by Yamada Ryūtarō b. 1984, Saitama / based in Kanagawa https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/089f6331-806a-40f0-a1fa-0edbddf24736/P1140035.JPG The Orchid Pavilion - Pavilion Review: Hyakkō 100+ Makers from Japan - Make it stand out Works by Hasegawa Natsu b. 1967 Tokyo https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/d2eb8d6c-1ec0-4fcc-8324-99b04d3becd7/P1140016.JPG The Orchid Pavilion - Pavilion Review: Hyakkō 100+ Makers from Japan - Make it stand out Polished black vessels by Anzai Kenta b. 1980 Fukishima / based in Fukishima https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2a255108-9e1f-4cd8-a723-d151c000d0c5/P1140037.JPG The Orchid Pavilion - Pavilion Review: Hyakkō 100+ Makers from Japan - Make it stand out Works on display by Shimuzu Shiro, b.1979 Kyoto / based in Shiga https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e6bf160b-7418-4b87-937e-3df7ba99479f/P1140023.JPG The Orchid Pavilion - Pavilion Review: Hyakkō 100+ Makers from Japan - Make it stand out A wood fired piece by Yamada Ryūtarō b. 1984, Saitama / based in Kanagawa https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/d719ff6a-0c38-47f0-82e6-59db5f8384c7/P1140014.JPG The Orchid Pavilion - Pavilion Review: Hyakkō 100+ Makers from Japan - Make it stand out Works by Morioka Shigeyoshi b. 1948 Nara / based in Wakayama https://paviliongallery.com/issue-one-immaterial/chrislewis monthly 0.5 2026-01-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1c614f54-164c-43db-a758-71cfe6a88fad/P1120954.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out Chris Lewis Summer Exhibition 2025 at South Heighton Pottery, Newhaven, Sussex UK - image Alex Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/07017e37-0e14-4356-b412-725b6e970c87/P1120991.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out CHRIS LEWIS, anagama fired vessel on display at South Heighton Pottery, 2025 - image Alex Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/cb9211d2-200a-4003-9b8b-44be6c925720/P1120968.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out URSULA MOMMENS various works on display at the INDIGO exhibition at South Heighton Pottery, May - June 2025 - image Alex Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b16fe4ed-39cd-4ac3-95da-5b4c26bdd9db/4.jpg The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out URSULA MOMMENS in her studio, c 1950 [fig. 1] https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2c810125-2a67-4879-9f83-a6a984738cb0/1.png The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out URSULA MOMMENS (1908-2010); a shallow stoneware dish covered in kaki glaze with wax resist decoration, diameter 21.5cm [fig. 2] https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1f7f28f3-6a7c-48d5-927c-d7933d9c8671/P1120975.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out Outbuildings converted to studio space by Chris Lewis, South Heighton Pottery, 2025 - image Alex Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/392c1ae7-6fb0-4ea8-a45c-fe3babd0baa6/IMG_3198.jpg The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out CHRIS LEWIS stoking the anagama kiln, May 2025 - image Alex Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/58015f7d-407a-4587-92ca-87a296f07aff/Screenshot+2025-05-12+at+15.57.04.png The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out MICHAEL CARDEW, Bowl with 'Bird with Five Eggs' design, 1930, Earthenware, painted and incised slips and glazes. 7.5 cm (2 7/8 in.) high, 28.5 cm (11 1/4 in.) diameter [fig. 3] https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b8d7ff1c-413e-49db-8dc7-75356ac2be3d/Screenshot+2025-06-03+at+13.36.56.png The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out MICHAEL CARDEW, Pair of Bird plates [fig. 4] https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/50da58ba-7f97-4a00-8111-29669924df72/P1120997.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out CHRIS LEWIS, anagama fired lidded jar, 2025 - image Alex Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/da20c96f-4f5e-44ad-9e70-3ffe935101c3/P1120998.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out CHRIS LEWIS, anagama fired platter, 2025 - image Alex Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ca4ba23a-76fc-437c-85ed-4f96451debdf/P1120978.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out Studio at South Heighton - image A.Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/9dbc2f8a-dece-4826-bafa-bd00d40798fd/P1120981.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out CHRIS LEWIS - various anagama fired vessels - image A. Whittaker https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f3c704ba-abeb-4c79-817f-0ecec4cb38ba/Screenshot+2025-06-03+at+14.44.24.png The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out CHRIS LEWIS stoneware vase, height 24cm [fig. 5] https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/c8bb0971-b239-4853-839a-3213c080738f/P1120920.JPG The Orchid Pavilion - Painting with Fire - Chris Lewis' Anagama, England - Make it stand out Stoking the anagama, April 2025 - image A.Whittaker https://paviliongallery.com/issue-one-immaterial/rawearth monthly 0.5 2025-06-03 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/7893a091-2303-4791-8ebf-358554093d35/IMG_2736+3.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/03a58ea2-11dd-4deb-babc-5cc2c682892a/167355001.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out Moon jar (백자대호 白磁大壺), British Museum number 1999,0302.1 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e164b2dc-2848-4fe7-b35e-4632cbc332a8/IMG_2738+2.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out Larger jars at Adam Buick ‘Raw Earth’ https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/015a7771-9356-44e0-ba80-3fad50ad963e/IMG_2744+2.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out A series of Buick’s miniature landscape studies at Contemporary Ceramics, London https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4174e0db-2e73-481a-94c1-ac9401351cec/IMG_2742+2.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out Cabinet display of landscape studies and larger jars at ‘Raw Earth’ 2025 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/a2553e8a-87fc-42a2-be50-a7135095c815/IMG_2729+3.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out Escarpment Jar, stoneware relief with wood fired patina, Adam Buick. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/645b04a2-d0b2-4805-b238-d289e53741e2/IMG_2731+2.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/190d922c-5f89-4c44-8b3e-daf8ff36aad4/IMG_2745+2.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out Miniature jars with landscape inclusions - Adam Buick https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/98a6fd0d-92e8-473f-9142-739240f5a888/IMG_2743+2.jpg The Orchid Pavilion - Pavilion Review: Adam Buick, 'Raw Earth' London - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/issue-one-immaterial/pavilion-review-shanshui-echoes-amp-signals-at-hong-kongs-m-museum monthly 0.5 2025-06-03 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/c1748042-e435-4824-8d37-930b325243eb/shanshui1.jpg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out Relatum - the Mirror Road (2021/2024) | Lee Ufan | natural materials and glass https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/17a75c95-b8c0-4ef3-b0c1-0e044bccef90/radios.jpeg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out Radio Nurse and Guardian Ear (1937; Bakelite, enamelled steel, and electrical) | Isamu Noguchi (1904-1988, United States) Zenith Radio Corporation (Now LG Electronics). https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f3f5db73-677b-4ce7-9500-950f92583a39/xu+bing.jpeg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out Landscript sketch in the Himalayas-English translation of the Chinese characters (1999) | Xu Bing | Inkjet print on paper (facsimile), inkjet print on translucent tracing paper https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/286c6802-bb5d-4811-8396-fe1333d7f140/Zou+wouki.jpg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out Untitled (1969) | Zou Wou-Ki | Etching with aquatint https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/c51b4060-4e88-4a5d-a6af-256b6896b299/IMG_1478.jpeg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out Excerpts from IIllustration Book of Natural Form (2017) | Guo Hongwei | Watercolour on paper https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/84432527-9b31-4cba-b7c3-cb0f0e5267cf/boat+burning.jpg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out Still from The Boat Burning Festival (1979) | Chang Chao-Tang with Christopher Doyle | Video https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/0aeda0db-eb51-4573-aa29-99c4fc890833/IMG_1465.jpeg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out Architectural model for the West Kowloon Cultural District https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1c4401f2-6154-43bd-bd83-d2f524aa6a40/IMG_1500.jpeg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out Still from 47 Days, Sound-less (2024) | Nguyen Thrinh Thi | Video https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/408918df-64fd-4df3-8d85-9549f50f7884/shanshui+4+copy.jpg The Orchid Pavilion - Pavilion Review: "Shanshui: Echoes & Signals" at Hong Kong's M+ Museum - Make it stand out View from within the Shanshui: Echoes and Signals exhibition, looking out to West Kowloon Cultural District (Palace Museum on right) https://paviliongallery.com/issue-one-immaterial/tsang monthly 0.5 2025-03-17 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/5ce58606-8274-4173-90cd-16276dfbafc1/IMG_0004+2.JPG The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out Cherry blossom tea https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ad808529-3fe6-453d-b7a6-a12c866e5aba/IMG_0437+2.JPG The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out Visit to Pigment Tokyo learning about natural mineral pigments https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/9a5f4def-acfd-422f-aad1-90bacd912d1c/IMG_0021.JPG The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out Tea ceremony workshop in Tokyo https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f0752454-abeb-46eb-a716-523b6747afbb/IMG_0058+2.JPG The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out Cherry Blossom Trees in Shinjuku Gyoen National Garden https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/fcd4d7a2-db8e-4664-9b0c-f715615eba1c/IMG_5452+2.JPG The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out Genuine Amusement Pavilion in Lion Grove Garden, “Zhen Qu” (really interesting) inscribed by Emperor Qianlong who visited the garden six times. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/3eb02832-2d14-4bb5-b904-000670aecbaa/Ice+Cracks.jpg The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out Ice Cracks by Katharine Tsang Colour pencil, soft pastel, watercolour, gouache, mineral pigment, ink and graphite on paper, 24 x 32 cm, 2023 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2b095b1c-415e-4860-9a28-7886a2c0de51/IMG_5536+2.JPG The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out Inside the Stone Boat built by I.M. Pei’s grandfather, Pei Run Sheng who was a paint magnate and purchased the Lion Grove Garden in 1917. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/0fba1097-2ca5-4892-a278-09f023f04b96/Moss+Time.jpg The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out Moss Time by Katharine Tsang Colour pencil, soft pastel, watercolour, gouache, charcoal, mineral pigment, ink and graphite on canvas, 18 x 22 in, 2024 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/d4593867-4988-48ea-8da8-280f9c5e77df/IMG_1226+2.JPG The Orchid Pavilion - Pavilion Diary: A Brief Return by Katharine Tsang - Make it stand out The new Lam Tsuen Wishing Tree in Hong Kong, replacing the original 200-year old banyan tree where visitors would write their wishes on small joss paper rolls and tie them to tangerines and throw them into the tree. The practice was discouraged in 2005. https://paviliongallery.com/issue-one-immaterial/shojihamada monthly 0.5 2024-03-20 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/60663ce6-ff81-4b39-aada-0488860ab659/Screenshot+2024-03-08+at+11.46.22.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Shōji Hamada outside his studio at Mashiko in 1974 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/240014d7-b19c-41cb-990a-02c9928793e2/Screenshot+2024-03-08+at+13.56.28.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Fig. 1 Serizawa Keisuke, woodblock print, issued by the Nihon Mingeikan (Japan Folk Craft Museum), 1970 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/46bc12fb-20d9-4fe1-b3c2-db599926ee5e/Screenshot+2024-03-08+at+13.59.45.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Fig. 2 Hamada, Shōji, small box or kogo, glazed earthenware, 2.6 x 2 inches, mid 20th century. Marston Pottery – philrogerspottery.com https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2c0a8d23-bfb2-426b-ae41-f58ec8b45050/Screenshot+2024-03-14+at+10.45.54.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Fig. 3 Hamada, Shōji Tessha, glaze cake bowl and jars, early 20th century. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/a00ff7ed-fbe4-4b20-8dbf-869c06c061d6/DP275572.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Tea Bowl with Hare’s-Fur Decoration, Muromachi Period (1392-1573), Japan, 7.3 (height) x 12.4 cm (diameter) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/28b966f5-1b28-4b6f-ac4e-1ae9f0b4a159/Screenshot+2024-03-08+at+14.12.07.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Hamada, Shoji, reduced stoneware tea bowl, c.1965, Japan, 8.5 (height) x 12.5 cm (diameter) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2c8710b0-fa54-4cd2-a991-0841c29e0109/DP240227.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Jar, Momoyama period (1573-1615), stoneware with painted decoration in underglaze brown iron, Japan (Karatsu ware) 11.4 (height) x 15.2 (width) cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1709907425866-W1BOGWEMBLM1P2JU4R42/DP240244.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1709907454443-G3KAXRXQ1NTKSJWO1750/DP240243.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1709907468248-C0H1TEIMV5ZH1ZQ4E16L/DP240242.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1709907471171-JYUNE9LRSZROTFY4NBD9/DP240245.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/d1272f9e-d08c-4810-a192-9f4092ec8d78/167355001.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Moon Jar, Joseon Dynasty, Korea 18th Century, 44.5 (widest point) x 16.7 (foot) x 47 cm (height) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/6cc84478-10fd-4d18-b1b3-5e30b7db5526/DP-15518-013.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Fig. 9 Display Dish with Charles II, Thomas Toft, slip decorated earthen ware, ca 1680 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/885c9079-d78a-4f55-a866-645f47cbb34f/Shirakaba_first_issue.jpg The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter - Make it stand out Shirakaba, first issue cover, April, 1910 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1710415230816-D5X520D68KABT3RFIJOU/Screenshot+2024-03-14+at+11.18.13.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1710415244553-OLOQN2QL1I7L949BZVOY/Screenshot+2024-03-14+at+11.18.37.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1710415249656-O127C8DBK4YOKXBCCK2X/Screenshot+2024-03-14+at+11.19.08.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1710415252267-JTUFWN3L2UV1V1F5JVYB/Screenshot+2024-03-14+at+11.19.38.png The Orchid Pavilion - Essay: Shōji Hamada and the Birth of the Studio Potter https://paviliongallery.com/issue-one-immaterial/irenechou-ksyat monthly 0.5 2024-03-14 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/010f34cf-7054-45b0-a757-d0df5e569cba/Screenshot+2024-01-23+at+14.14.31.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out Irene Chou in her home studio, Hong-Kong, c. 1990 Courtesy of Catherine Maudsley https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/254ac8fa-7fc1-4333-bf2d-2b2d2a1be750/Mystery_of_the_Moon.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out Lang, Jinshan, Mystery of the Moon, 1955 Photographic print (dimensions unknown) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2d7c168d-54c2-4719-9262-89c2810abb83/Screenshot+2024-01-30+at+11.32.25.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out Shao’ang, Zhou, Perching by the Roses, 1947 Ink and colour on paper, 29 x 35.6 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ed3b82d3-154e-4f54-878e-5c4623361ed6/Screenshot+2024-01-30+at+15.35.26.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out Chou, Irene, Roses, (Date unknown) Ink and colour on paper, 29.5 x 86.5 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/9b29c868-c14c-4dce-a0e9-05e5902fc837/Screenshot+2024-01-30+at+11.25.57.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/45e09b9f-e816-4806-952c-4f6d083315b7/Screenshot+2024-01-30+at+15.38.33.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out 1) Chou, Irene, Platonic Friendship, 1977 Ink and colour on xuan paper, 135 x 66.5cm 2) Chou, Irene, Remembering Mr. Lui, c.1977 Ink and colour on xuan paper https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/774c71ba-853a-4f64-850b-8fcdcbbb1425/Screenshot+2024-01-30+at+15.43.56.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out 1) Chou, Irene, Zen Scroll, mounted and framed, ink and colour on paper, 137.5 x 67.5 cm 2) Lui Shoukwan, Zen Painting, 1965 Chinese Ink and colour on rice paper, 94.5 x 41 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/0bc74c8d-69ad-4557-9c41-390806c33a5e/Screenshot+2024-01-30+at+15.53.04.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out Henri Michaux, For Jorn, 1975-6 Lithograph on paper, 47 x 65cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/9e061955-f0ed-4621-ad3b-c1e591465112/Screenshot+2024-02-01+at+10.14.33.jpg The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out Chou, Irene, Seed (Undated) Ink and colour on paper 135 x 68 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f93ed800-e197-4ca8-86a7-625cc45d8835/Screenshot+2024-02-01+at+10.20.15.png The Orchid Pavilion - Essay: Irene Chou - Imagining a New Formal Language - Make it stand out Chou, Irene, The Image, ca. 1960s Ink and colour on xuan paper, 184.5 x 95.7 cm https://paviliongallery.com/issue-one-immaterial/nature-of-ink-ling-pui-sze monthly 0.5 2024-02-02 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631013498664-DPBZ3XYNUNGNGXEAC105/Route+6_Ling+Pui+Sze.jpg The Orchid Pavilion - Interview: Nature in Pieces - Ling Pui-sze's Shifting Realities by Pavilion - Make it stand out Route 6 | 路線 六, 2020, mixed media on canvas, 80 x 200 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631015641236-SVXC1JNQU1FFEHBM3E9Z/Expanding.jpg The Orchid Pavilion - Interview: Nature in Pieces - Ling Pui-sze's Shifting Realities by Pavilion - Make it stand out Expanding | 擴張, 2012, mixed media on paper mounted on board, 233 x 233 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631016281789-7C2MBONPOJQ7UHUTO5ZE/Solaris+1_installation+view.jpg The Orchid Pavilion - Interview: Nature in Pieces - Ling Pui-sze's Shifting Realities by Pavilion - Make it stand out Solaris 1, 2019, bamboo stick and paper, dimensions variable https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631013374256-8MOP62NK0XVMTRICV5ZU/Reactionary+2_b.jpg The Orchid Pavilion - Interview: Nature in Pieces - Ling Pui-sze's Shifting Realities by Pavilion - Unsung Heroes of Ink Reactionary 2 | 反作用 二, 2016, mixed media on canvas, 85 x 85 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631016365505-X5KH88W10R4IKHDZDFA4/Form+6.jpg The Orchid Pavilion - Interview: Nature in Pieces - Ling Pui-sze's Shifting Realities by Pavilion - Make it stand out Form 6 | 形態六, 2013, mixed media on canvas, 213 x 244 cm https://paviliongallery.com/issue-one-immaterial/stringless-qin-seeking-the-roots-of-silent-music monthly 0.5 2024-02-02 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634393449878-N4MHI11N92MO1W4U43DB/Tao_Yuanming_by_Chen_Hongshou.jpeg The Orchid Pavilion - Essay: Stringless Qin - Seeking the Roots of Silent Music by Emma-Lee Moss - Make it stand out Scenes from the Life of Tao Yuanming | Chen Hongshuo (Qing Dynasty; ink and colors on silk; Honolulu Museum of Art) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634394371295-FU1A2N47V27AKHQN2XOJ/Birth_of_Laozi.jpg The Orchid Pavilion - Essay: Stringless Qin - Seeking the Roots of Silent Music by Emma-Lee Moss - Make it stand out Birth of Laozi (Detail; wall painting; Qingyanggong temple, Chengdu, China) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634393830338-FUDYNXSXA4NX24JB7LVH/Tangram-Credit-Zen-Grisdale-1200x675.jpg The Orchid Pavilion - Essay: Stringless Qin - Seeking the Roots of Silent Music by Emma-Lee Moss - Make it stand out Tangram (credit: Zen Grisdale) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634393760600-B98OIGCFX1BUL71WMO6M/yoko-j_cage-p_guggenheim-01.jpg The Orchid Pavilion - Essay: Stringless Qin - Seeking the Roots of Silent Music by Emma-Lee Moss - Make it stand out John Cage and Yoko Ono in Japan (with thanks to Madeline Bocaro) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634473307718-J0TCIW22V9371BENHCNC/PO.jpg The Orchid Pavilion - Essay: Stringless Qin - Seeking the Roots of Silent Music by Emma-Lee Moss - Make it stand out Pauline Oliveros (credit: Vinciane Verguethen) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634394178624-BUQAS278TMAFLWNP2NRM/sonicmeditations2.jpeg The Orchid Pavilion - Essay: Stringless Qin - Seeking the Roots of Silent Music by Emma-Lee Moss - Make it stand out Wind Horse | Pauline Oliveros with additional design by Lawton Hall (1990; text score) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634478376999-HLQUCGJWCYDDXVHZOD1Q/Listen+Hear.png The Orchid Pavilion - Essay: Stringless Qin - Seeking the Roots of Silent Music by Emma-Lee Moss - Make it stand out Resistance Postcard | Christine Sun Kim (2017; postcard; 10 x 15; Primary Information) https://paviliongallery.com/issue-one-immaterial/guo-xi-alexander-whittaker monthly 0.5 2024-02-02 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634377853769-ZDXIYXY6ELD64DURN13T/Guo_Xi_-_Early_Spring_%28large%29.jpg The Orchid Pavilion - Essay: On Immateriality in Guo Xi's Early Spring by Alex Whittaker - Make it stand out Fig. 1 Early Spring | Guo Xi (dated 1072; hanging scroll, ink and light colour on silk; 158.3 x 108.1 cm; National Palace Museum, Taipei) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634378028812-X7LCRNKRX9RZ598LKUYD/DP151528.jpg The Orchid Pavilion - Essay: On Immateriality in Guo Xi's Early Spring by Alex Whittaker - Make it stand out Fig. 2 The Classic of Filial Piety (detail) | Li Gonglin (ca 1085; handscroll, ink and colour on silk; 23.2 x 497.8 cm; The Metropolitan Museum of Art, New York) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634378245548-QL5NC8OPTURTSRDT7X4P/3.png The Orchid Pavilion - Essay: On Immateriality in Guo Xi's Early Spring by Alex Whittaker - Make it stand out Fig. 3 Early Spring | Guo Xi (detail) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634378343241-TSTQE7KZUKGAJSQQ95X4/4.png The Orchid Pavilion - Essay: On Immateriality in Guo Xi's Early Spring by Alex Whittaker - Make it stand out Fig. 4 Early Spring | Guo Xi (detail) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634378643759-JPO5XXZGHP7KW94S48XC/5.png The Orchid Pavilion - Essay: On Immateriality in Guo Xi's Early Spring by Alex Whittaker - Fig. 5 Early Spring | Guo Xi (detail) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634378642245-K4GM6NK7NFRK8F3O4MBB/6.png The Orchid Pavilion - Essay: On Immateriality in Guo Xi's Early Spring by Alex Whittaker - Fig. 6 Travellers Among Mountains and Streams | Fan Kuan (detail) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634379055596-48J3ABOA1I9ZHJ78SET8/travellers.jpg The Orchid Pavilion - Essay: On Immateriality in Guo Xi's Early Spring by Alex Whittaker - Make it stand out Fig. 7 Travellers Among Mountains and Streams | Fan Kuan (c 1000) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634387340924-0T1T5WT1VFPD07ITALDB/8.png The Orchid Pavilion - Essay: On Immateriality in Guo Xi's Early Spring by Alex Whittaker - Make it stand out Fig. 8 Anonymous Landscape (Hanging scroll, ink and light colour on silk) https://paviliongallery.com/issue-one-immaterial/marks-left-by-life monthly 0.5 2024-02-02 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631713843066-QQPMZS0ZK7YFKZWKEI7W/Woman%27s+Journal+No.+24.jpg The Orchid Pavilion - Interview: Marks Left by Life - Tao Aimin by Ysabelle Cheung - Make it stand out Woman's Journal No. 24 (2009) | Seal by Artist; Ink on Paper | 68.5 x 68.5 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631713194897-J26N1T76FBMBNGIQCN9Z/I+Was+Flying.jpg The Orchid Pavilion - Interview: Marks Left by Life - Tao Aimin by Ysabelle Cheung - Make it stand out Nü Shu: Brother and Sister Series - I Was Flying (2019) | Ink on paper, audio recording | 138 x 34 cm x 7 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631713427612-AK171F5KH4MLND05UWK5/Portrait.jpg The Orchid Pavilion - Interview: Marks Left by Life - Tao Aimin by Ysabelle Cheung - Make it stand out Tao Aimin in front of Washed Relics 2 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631713749042-RMHR8UWNUEP8EI4L57XM/Installation+view+of+Book+of+Women.jpg The Orchid Pavilion - Interview: Marks Left by Life - Tao Aimin by Ysabelle Cheung - Make it stand out The Secret Language of Women (2008) | Wooden washboards, ink on paper, thread-bound book, video | 320 x 80 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631713581897-T3I7Y2RM3ESS74LM4VPR/The+Secret+Language+of+Women+No.+8jpg.jpg The Orchid Pavilion - Interview: Marks Left by Life - Tao Aimin by Ysabelle Cheung - Make it stand out The Secret Language of Women No. 8 (2008)| Ink on Paper | 70 x 56 cm https://paviliongallery.com/issue-one-immaterial/flora-yin-wong-no-regrets monthly 0.5 2024-02-02 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633168210635-8PMBFEG7IGC6PTK6AS3Q/faye.png The Orchid Pavilion - Artwork: No Regrets by Flora Yin Wong - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/issue-one-immaterial/corkys-lens-an-interview-jennifer-takaki monthly 0.5 2024-02-02 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633609340601-058TP5I8YECY6MFPWCHP/CorkyLeePolice.jpg The Orchid Pavilion - Interview: Corky's Lens - a Conversation with Jennifer Takaki, Director of "Photographic Justice: the Corky Lee Story" - Make it stand out An injured man is dragged away by police in Chinatown, Manhattan (Corky Lee, 1975) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633609588723-GRB5DDBN8QIWTNAESTW7/promontory.jpeg The Orchid Pavilion - Interview: Corky's Lens - a Conversation with Jennifer Takaki, Director of "Photographic Justice: the Corky Lee Story" - Make it stand out Promontory Point, Utah (Corky Lee, 2014) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633609198057-EQ168K89QLXGRAR8FHDL/604c153ca31024adbdbadf97.jpeg The Orchid Pavilion - Interview: Corky's Lens - a Conversation with Jennifer Takaki, Director of "Photographic Justice: the Corky Lee Story" - Make it stand out Sewing machine of Jung See Lee (Corky Lee, 1977) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1634133473581-7ASO78MGMRZBN27LO6X8/29Lee6-jumbo.jpeg The Orchid Pavilion - Interview: Corky's Lens - a Conversation with Jennifer Takaki, Director of "Photographic Justice: the Corky Lee Story" - Make it stand out Image credit: Corky Lee https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633609636581-IWDL0IKHSP8KL9Y65SMI/Untitled.png The Orchid Pavilion - Interview: Corky's Lens - a Conversation with Jennifer Takaki, Director of "Photographic Justice: the Corky Lee Story" - Make it stand out Exhibition postcard from Corky Lee’s “Uniquely Asian Coincidentally American - Portraits of Asian/ Pacific Americans in New York…Well Almost." (1988) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633609881209-DFK77DZKZDKZ8XIXXUVL/Obit_Corky_Lee_00354.jpeg The Orchid Pavilion - Interview: Corky's Lens - a Conversation with Jennifer Takaki, Director of "Photographic Justice: the Corky Lee Story" - Make it stand out Corky Lee leading a Promontory Summit reenactment in Utah, 2014 (image credit: Scott Sommerdorf) https://paviliongallery.com/issue-one-immaterial/tammy-lai-ming-ho-two-poems-august-7 monthly 0.5 2026-03-31 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632247522164-6X5Y2TWWNWHNE6J0AIFX/R1-03282-011A.jpg The Orchid Pavilion - Poetry: A Lie and a Promise & Watching the Olympics (Two Poems Written on August 7th) by Tammy Lai-Ming Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/issue-one-immaterial/nature-of-ink-ling-pui-sze-knbht monthly 0.5 2024-02-02 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631013498664-DPBZ3XYNUNGNGXEAC105/Route+6_Ling+Pui+Sze.jpg The Orchid Pavilion - 文章採訪: 大自然撕篇 - 凌佩詩不斷變遷的現實 (Ling Pui-Sze interview in Traditional Chinese) by Pavilion - Make it stand out Route 6 | 路線 六, 2020, mixed media on canvas, 80 x 200 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631015641236-SVXC1JNQU1FFEHBM3E9Z/Expanding.jpg The Orchid Pavilion - 文章採訪: 大自然撕篇 - 凌佩詩不斷變遷的現實 (Ling Pui-Sze interview in Traditional Chinese) by Pavilion - Make it stand out Expanding | 擴張, 2012, mixed media on paper mounted on board, 233 x 233 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631016281789-7C2MBONPOJQ7UHUTO5ZE/Solaris+1_installation+view.jpg The Orchid Pavilion - 文章採訪: 大自然撕篇 - 凌佩詩不斷變遷的現實 (Ling Pui-Sze interview in Traditional Chinese) by Pavilion - Make it stand out Solaris 1, 2019, bamboo stick and paper, dimensions variable https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631013374256-8MOP62NK0XVMTRICV5ZU/Reactionary+2_b.jpg The Orchid Pavilion - 文章採訪: 大自然撕篇 - 凌佩詩不斷變遷的現實 (Ling Pui-Sze interview in Traditional Chinese) by Pavilion - Unsung Heroes of Ink Reactionary 2 | 反作用 二, 2016, mixed media on canvas, 85 x 85 cm https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631016365505-X5KH88W10R4IKHDZDFA4/Form+6.jpg The Orchid Pavilion - 文章採訪: 大自然撕篇 - 凌佩詩不斷變遷的現實 (Ling Pui-Sze interview in Traditional Chinese) by Pavilion - Make it stand out Form 6 | 形態六, 2013, mixed media on canvas, 213 x 244 cm https://paviliongallery.com/issue-one-immaterial/viewing-room-texts monthly 0.5 2024-03-22 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/5a33f48c-c85e-447a-978c-e65f72de4eb5/Screenshot+2024-03-22+at+11.42.28.png The Orchid Pavilion - Hong Kong's New Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Lui Shou-Kwan in his studio, Hong Kong https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/92a6189c-f024-4a58-b24a-2f687fbf6f0d/Screenshot+2024-03-22+at+11.43.04.png The Orchid Pavilion - Hong Kong's New Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig.1 Ink Play | Lui Shou-kwan (1964, 179.5 x 95.5cm, Chinese ink and colour on rice paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/287b3a36-2bc8-474e-a6b1-dd3728b9a806/Screenshot+2024-03-22+at+11.43.26.png The Orchid Pavilion - Hong Kong's New Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig.2 Beside the Sea | Robert Motherwell (1967, 76.8 x 55.2 cm, Acrylic and ink on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/14bdd3cf-1357-4298-bb4c-c42f4b9e6dce/Screenshot+2024-03-22+at+11.43.38.png The Orchid Pavilion - Hong Kong's New Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 3 Fisherman after Wu Zhen | Lui Shou-kwan (1967, 180 x 95 cm, Ink and colour on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/eae987b4-ab93-454e-94c6-36f785aca308/Screenshot+2024-03-22+at+11.43.53.png The Orchid Pavilion - Hong Kong's New Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 4 Flower in a Jar | Bada Shanren (1689, dimensions unknown, ink on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/5c48a58b-7444-44c1-9455-a73c2591ccfa/Screenshot+2024-03-22+at+11.44.05.png The Orchid Pavilion - Hong Kong's New Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 5 Sailing Upstream | Lui Shou-kwan (1967; 45 x 81 cm; ink and colour on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/a64cc454-6bfe-4964-af27-1a218b904f60/Screenshot+2024-03-22+at+11.44.14.png The Orchid Pavilion - Hong Kong's New Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 6 Landscapes Depicting Poems of Huang Yanlu | Shitao, or Zhu Ruoji (dated 1701-02; each image 20.5 x 34 cm; ink and colour on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/7b88c597-ddc6-4d76-9a92-923373f04359/Screenshot+2024-03-22+at+11.44.47.png The Orchid Pavilion - Hong Kong's New Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 7 Luk Keng Village | Lui Shou-kwan (1969; 139 x 69 cm; ink on paper) https://paviliongallery.com/issue-one-immaterial/hung-hoi-force-of-nature monthly 0.5 2024-03-22 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/70d06ccc-df1b-45c3-b6ed-540f51c9ae1c/Screenshot+2024-03-22+at+12.30.20.png The Orchid Pavilion - Hung Hoi: Force of Nature - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e33e325a-9081-4dca-9e11-c918cca1ca79/21.1.1436.jpg The Orchid Pavilion - Hung Hoi: Force of Nature - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4d072b33-b9d4-43f0-89a3-cea9711071c6/Screenshot+2024-03-22+at+12.39.38.png The Orchid Pavilion - Hung Hoi: Force of Nature - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/996856b9-962b-489f-9264-d39c6493aa18/Guo_Xi_-_Early_Spring_%28large%29.jpg The Orchid Pavilion - Hung Hoi: Force of Nature - Make it stand out Early Spring is a hanging scroll painted by Guo Xi Completed in 1072, it is one of the most famous works of Chinese art from the Song Dynasty. https://paviliongallery.com/issue-one-immaterial/category/other monthly 0.5 https://paviliongallery.com/issue-one-immaterial/category/interviews monthly 0.5 https://paviliongallery.com/events daily 0.75 2026-03-02 https://paviliongallery.com/events/lorem-ipsum-event monthly 0.5 2022-07-28 https://paviliongallery.com/lui-shou-kwan-viewing-room daily 0.75 2021-11-04 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1629198258276-DRI9TCFXYQ4ER92HHSQX/pavilion-gallery-viewing-room-lui-shou-kwan-paintings-banner.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631201631091-SA962FQBT8ZG78HKPCG4/pavilion-gallery-viewing-room-lui-shou-kwan-paintings-extract-pioneer-of-new-ink-painting-movement-exhibition-banner.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631201789181-9C5GV329LWCKMGSD6VVL/pavilion-gallery-viewing-room-lui-shou-kwan-response-to-jackson-yu-exhibition-banner.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635247106363-QO4B6FWPV2U23KLQ8M0N/21.1.1356.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Lui Shou-kwan - Village Scene, 1961 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631187765651-NWEEYQ224D8IPN4HKJO9/pavilion-gallery-viewing-room-lui-shou-kwan-paintings-Fisherman-after-Wu-Zhen-1967.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Lui Shou-kwan – Fisherman after Wu Zhen, 1967 180 x 95 cm Ink and colour on paper https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635247050959-KUZ96VP8NSA7D7XQ1DCB/21.1.1318.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Lui Shou-kwan - Sails, 1962 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635246814255-81CB03BAVLL5KAOXBMO7/21.1.1527.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635246852982-OQCA27G1D24ZFJT8VOTG/21.1.1457.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635246887657-DNREO67I5DPCMZIWX4WG/21.1.1526.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635501342661-14X6YI00TH5A5HXHXH6V/21.1.1646.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Lui Shou-kwan - Journey, 1963 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635501400137-LU4OBSIGVHY1KF0WZFNV/21.1.1648.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Lui Shou-kwan - Journey, 1965 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635501426583-DFDUSELES7OAQV4UDGMQ/21.1.1653.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Lui Shou-kwan - Journey, 1965 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635502686775-O8VOS1PD8UUMB7M8T4AA/21.1.1165%28b%29.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635502825352-5TV3G0BPBPKIBVPS0RBQ/21.1.1165%28a%29.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635502853390-6VWQJZFCYMW6KVA9H9CB/21.1.1165%28c%29.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635503597302-8LXZUENXSAYSVALOUZUN/21.1.1665.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Lui Shou-kwan - Journey, 1972 43.8 x 93.8 cm Ink and watercolours on paper With three seals of the artist (呂, 壽琨, pictorial/animal) Inscription: 癸卯三月呂壽琨 Collection of The Master of the Water, Pine and Stone Retreat https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635507149083-Z0JK03P9F242EWWW37FL/21.1.1632.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635507947915-5Z77XTAXOMQSZ6VEDBGN/21.1.1655.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635508248304-HEFPX779ZSNUEOJ39PDB/21.1.1666.jpg Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1631181984213-Y05BXPUBMHWFQW27Q5PZ/pavilion-gallery-viewing-room-lui-shou-kwan-paintings-artist-at-work.png Viewing Room - Hong Kong's Ink Pioneer: Lui Shou-kwan - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/about daily 0.75 2026-03-03 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/3db2d8b8-3986-4813-af90-da63a311fea0/21.1.1533.jpg About https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/282f38ed-038f-4e7c-84ce-6243d4c59df3/21.1.62.jpg About https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4539d442-c6a0-4afb-94ad-d3d581ecbe91/21.1.1661.jpg About https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/bb0e4285-cf0a-4e46-b78a-f23fabf335bc/21.1.1367.jpg About https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/21e6e9ee-9baa-4124-b36d-7772172dc0fd/31.2.jpg About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1cd41f8f-e0a6-4d9a-8133-8dff38fe663b/21.3.jpg About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ff12228a-b187-4133-b000-db5086480a4b/21.5.jpg About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/lui-shoukwan daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158905192-DQTU9PA4W70MBNKZXOGL/pavilion-gallery-home-viewing-room.jpg Lui Shou-kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632995737401-G1HMILI569D9RP3OM998/21.1.1661.jpg Lui Shou-kwan - NOT THE COLOUR OF THE MOON Signed and dated 1978 with one seal of the artist Ink and colours on paper 57.7 x 94.6 cm Provenance: The Artist, Hong Kong, June 1990 (No. L.78.2) Water, Pine and Stone Retreat Collection Sotheby’s, Hong Kong, 5 October, 2013, lot 3617. Published: Michael Sullivan and Chutsing Li, Liu Kuo-sung, Taipei, Taipei Fine Art Museum, 1992, unpaginated, but p. 113. Exhibited: Taipei Fine Art Museum, 1990 Liu, Elaine and Zhang Menyi, Yu Zhou Ji Wo Xin: Liu Guosong, Taipei: Arttouch, 2007, p.244. A silk-screen print of this was produced by Beijing Xuyuan Culture and Art Co., Ltd., and is illustrated in The Scripture of a Missionary of Modern Ink Painting, iu Kuo-sung Print Catalog, Vol. 1. Beijing: December 2014 pp. 52/3. https://paviliongallery.com/chen-chikwan daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158905192-DQTU9PA4W70MBNKZXOGL/pavilion-gallery-home-viewing-room.jpg Chen Chi-Kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632997458279-93X3N6GY8CE6UQYWSK9P/Kwan+cover+front.jpg Chen Chi-Kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632997478480-FDTZ4NFADW9PR2X1LR72/Kwan.jpg Chen Chi-Kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632997484656-TQTSCWOMBTS36U9DWQEK/Kwan+1.jpg Chen Chi-Kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632997506692-EIKKVQQE637V2HGO0ELS/Kwan3.jpg Chen Chi-Kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632997514621-2DE7QAF3U5YS0BC3IF8O/Kwan+4.jpg Chen Chi-Kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632997540050-D8GR25PXNMPB7MV5VKG9/Kwan+rear.jpg Chen Chi-Kwan https://paviliongallery.com/fang-zhaoling daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158905192-DQTU9PA4W70MBNKZXOGL/pavilion-gallery-home-viewing-room.jpg Fang Zhaoling https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1632999699759-C01U3WYHNB20V5VWZL65/21.1.373.jpg Fang Zhaoling - OMNIPRESENT MOUNTAIN VOICE Signed in the left margin, dated 1985, and with one seal of the artist 1985 56.5 x 93 cm Provenance: The Artist, Chinese University of Hong Kong, November 1985 Published: Chen Lusheng, Liu Guosong pingchuan ( Critical Biography of Liu Guosong), Guangxi meishu chubanshe (Guanzi Arts Publishing House) 陳履生 劉國松評傳 廣西美術出版社 p. 268 Exhibited: Ubersee Museum, Bremen, 9 - 30 April 1989 https://paviliongallery.com/hung-hoi daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158905192-DQTU9PA4W70MBNKZXOGL/pavilion-gallery-home-viewing-room.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007124965-8U7W81CWEPCUTAXB7P7H/21.1.1600%28b%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007136209-UECR57FGTLOUEK575WXO/21.1.1600%28c%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007136420-4HE6QFY4L59H30OT3RU0/21.1.1600%28d%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007141329-MVS29B7OMJC4TJ5ISSNP/21.1.1600%28e%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007141505-FLMS69HE6NM8P2FDJY4Q/21.1.1600%28f%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007147059-GXKEZHQDP5NJKZHK8XF7/21.1.1600%28g%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007147273-XJ7EYTHK19CQFPHLKSQS/21.1.1600%28h%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007152202-6JK53U1VL6BYY2JB7BVF/21.1.1600%28i%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633007152730-WCRAVTV5R88IQBX297R9/21.1.1600%28j%29.jpg Hung Hoi https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633008312653-RPQXGXV8ER3NC1DZVWX3/21.1.1367.jpg Hung Hoi - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/cc-wang daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158905192-DQTU9PA4W70MBNKZXOGL/pavilion-gallery-home-viewing-room.jpg C.C Wang https://paviliongallery.com/wucius-wong daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158905192-DQTU9PA4W70MBNKZXOGL/pavilion-gallery-home-viewing-room.jpg Wucius Wong https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633012304457-J45B8G0TGTOGP4OY464V/21.1.1711.jpg Wucius Wong - OMNIPRESENT MOUNTAIN VOICE Signed in the left margin, dated 1985, and with one seal of the artist 1985 56.5 x 93 cm Provenance: The Artist, Chinese University of Hong Kong, November 1985 Published: Chen Lusheng, Liu Guosong pingchuan ( Critical Biography of Liu Guosong), Guangxi meishu chubanshe (Guanzi Arts Publishing House) 陳履生 劉國松評傳 廣西美術出版社 p. 268 Exhibited: Ubersee Museum, Bremen, 9 - 30 April 1989 https://paviliongallery.com/tseng-yuho daily 0.75 2024-03-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1628158905192-DQTU9PA4W70MBNKZXOGL/pavilion-gallery-home-viewing-room.jpg Tseng Yu-ho https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633015713185-DGZXGFV6Z9OLPRBIRBWE/21.1.1733.jpg Tseng Yu-ho - OMNIPRESENT MOUNTAIN VOICE Signed in the left margin, dated 1985, and with one seal of the artist 1985 56.5 x 93 cm Provenance: The Artist, Chinese University of Hong Kong, November 1985 Published: Chen Lusheng, Liu Guosong pingchuan ( Critical Biography of Liu Guosong), Guangxi meishu chubanshe (Guanzi Arts Publishing House) 陳履生 劉國松評傳 廣西美術出版社 p. 268 Exhibited: Ubersee Museum, Bremen, 9 - 30 April 1989 https://paviliongallery.com/pavilion-archive daily 0.75 2025-10-26 https://paviliongallery.com/pavilion-archive/lecture-understanding-chinese-jade-in-a-world-context-by-professor-gina-barnes-32z4f monthly 0.5 2026-02-10 https://paviliongallery.com/pavilion-archive/lecture-understanding-chinese-jade-in-a-world-context-by-professor-gina-barnes monthly 0.5 2026-02-09 https://paviliongallery.com/pavilion-archive/article-the-jade-engma-by-jill-m-hobbs monthly 0.5 2025-10-28 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/bd120283-e74f-4d1b-9f0e-4b2b709f46a0/DP350728.jpg the Pavilion Archive - Article: The Jade Enigma by Jill M. Hobbs - Make it stand out Landscape with hermits and a crane, Qing dynasty (1644–1911), Jade (nephrite), H. 7 1/4 in. (18.4 cm); L. 19 5/8 in. (49.8 cm), The Metropolitan Museum of Art, Object Number 39.65.22a, b, Bequest of Jacob Ruppert, 1939 https://paviliongallery.com/pavilion-archive/artefact-a-sketch-of-chinese-arts-and-crafts-by-hilda-arthurs-strong monthly 0.5 2025-06-20 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/c26e728d-f106-4f83-8894-8b87ed07abba/2.jpg the Pavilion Archive - Artefact: "A Sketch of Chinese Arts and Crafts" by Hilda Arthurs Strong - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/38de1cae-64f7-4e11-8930-e77d747adc02/3.jpg the Pavilion Archive - Artefact: "A Sketch of Chinese Arts and Crafts" by Hilda Arthurs Strong - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1750353042511-AOX5A1LJ2GDWXVHIQYL3/9.jpg the Pavilion Archive - Artefact: "A Sketch of Chinese Arts and Crafts" by Hilda Arthurs Strong https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1750353105341-09UK42A4YFYTXJ9XMYJG/10.jpg the Pavilion Archive - Artefact: "A Sketch of Chinese Arts and Crafts" by Hilda Arthurs Strong https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1750353105385-20TKBUKFB7C7A3RJQG12/11.jpg the Pavilion Archive - Artefact: "A Sketch of Chinese Arts and Crafts" by Hilda Arthurs Strong https://paviliongallery.com/pavilion-archive/excerpts-from-the-art-of-the-korean-potter-1968-exhibition-catalogue monthly 0.5 2025-03-27 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/596c593e-88dc-42d8-bbfd-8883f8c1bdf6/1743075827492-95fe7111-4356-41ea-a1e2-4fa32327e7c2_5.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1483d6ff-95f9-40bf-bf02-7604173a2cd0/5.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out Mr. and Mrs. Gregory Henderson, New York; Photographer: Otto E. Nelson https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/87de7840-c086-45aa-9e5a-e0b54e83e7f7/2.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out Mr. and Mrs. John D. Rockefeller 3rd, New York; Photographer: Otto E. Nelson https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/06d90551-d9f1-4992-b95f-69b9b3070ae2/8.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out Honolulu Academy of Arts; Gift of Mrs. Robert P. Griffing in Memory of Walter Damon Giffard (3434.1); Image courtesy of Honolulu Academy of Arts https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/7e6b75c6-f201-4641-97fe-db04350d82f5/9.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out The Art Institute of Chicago; Bequest of Russell Tyson; Photographer: Richard Brittain https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e40413a1-b79e-4f13-96a2-62da034defa1/3.+1743075827492-95fe7111-4356-41ea-a1e2-4fa32327e7c2_9.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out The Avery Brundage Foundation, M. H. De Young Memorial Museum, San Francisco (B60P17+); Photographer: James Medley https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/883c5a87-a04e-4f5c-ad8a-4944cb29eb2e/5+1743075827492-95fe7111-4356-41ea-a1e2-4fa32327e7c2_11.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out Mr. and Mrs. John D. Rockefeller 3rd, New York; Photographer: Otto E. Nelson https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1b25c7f2-fcd9-4539-8d97-7753498e1c65/7.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out The Cleveland Museum of Art; John L. Severance Fund; Image courtesy of The Cleveland Museum of Art https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/bfa8c81b-3c0d-4416-82de-c0637564122d/4+1743075827492-95fe7111-4356-41ea-a1e2-4fa32327e7c2_10.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out Honolulu Academy of Arts (3353.1); Photographer: Raymond Sato https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/fbc59517-c10f-48e3-ae92-030f0680a5b6/6.jpg the Pavilion Archive - Excerpts from "The Art of the Korean Potter" 1968 Asia House Gallery Exhibition Catalogue - Make it stand out Dr. and Mrs. Robert Dickes, New York; Photographer: Otto E. Nelson https://paviliongallery.com/pavilion-archive/introduction-to-arts-of-the-fire-by-hugh-moss monthly 0.5 2025-03-28 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/57b6fb93-aea7-4a61-b760-9d60f6569dec/Photo+for+bloch.jpg the Pavilion Archive - An Introduction to the Arts of the Fire by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b68dcb1e-3788-45c3-93e3-8adeb7168664/photo+for+bloch+2.jpg the Pavilion Archive - An Introduction to the Arts of the Fire by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/pavilion-archive/the-origins-of-guyue-xuan-enamelled-glass-wares-b8d69 monthly 0.5 2025-03-15 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f7eeb67d-7090-4fdf-bde0-28709604cca9/Screenshot+2025-01-20+at+13.32.24.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 1. Large glass storage jar where imported snuff was stored. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/074a07d2-18bd-40b8-b08f-3a5ba340a436/Screenshot+2025-01-20+at+14.42.44.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 2. Blue glass bottle with raised circular panel on each side, two-character Kangxi mark on the base. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/8a1e403b-d287-4a66-8e06-38863f67960a/Screenshot+2025-01-20+at+14.44.55.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 3. Sapphire-blue glass bottle carved with a circular panel on each side, 1696–1730. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2ee44bcf-40d6-414e-b3bf-4a2ab156ac9d/Screenshot+2025-01-20+at+14.46.29.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 4. Colorless glass bottle with extensive crizzling, early phase production. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b8b08e1d-1d31-4ec3-87a3-0538e548f263/Screenshot+2025-01-20+at+14.47.55.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 5. Transparent glass bottle with “glass disease” crizzling. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/30ecfa6f-6fd1-4276-9c67-9df7d975ed35/Screenshot+2025-01-20+at+14.49.33.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 6. Red-faceted glass bottle, 1700–1750. Bloch Collection. Fig. 7. Diamond-point engraved colorless glass bottle with bands of joined fylfots, 1696–1730. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/131fe633-e328-434a-b223-fd6ea40571dc/Screenshot+2025-01-20+at+14.51.38.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 8. Translucent faceted yellow glass bottle, 1700–1760. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/7cea192c-bcda-4208-98b7-8cb3161b3736/Screenshot+2025-01-20+at+15.44.14.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 9. Sapphire-blue glass bottle splashed with aventurine glass, 1700–1760 Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/439d6c1a-52d5-4a80-8c0d-75738624dc76/Screenshot+2025-01-20+at+15.49.06.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 10 Buried green cameo overlay bottle. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4558c9dc-5169-4ec0-b347-a2877be894da/Screenshot+2025-01-20+at+15.50.04.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 11. Cameo overlay realgar glass carved with two chi dragons, 1700–1740. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2b0d406e-48e2-46d2-9c80-57fef0b98fbb/Screenshot+2025-01-20+at+15.56.17.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 12. Ruby-red overlay on translucent white glass carved with a continuous design on each side of two bats and three peaches on branches, 1710–1760. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/72b6a79d-6a63-40bf-a7e1-a197a0532e52/Screenshot+2025-01-20+at+15.56.48.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 13. Deep ruby-red overlay on milky glass ground carved with archaistic fenghuang and four chi dragons, 1720–1780. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/430f8b92-6631-4eda-a243-4fedb67fad5f/Screenshot+2025-01-20+at+15.57.45.jpg the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 14. Painting from the series “Yongzheng Emperor’s Concubines.” Imperial Collection, Beijing. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/08abc0d5-973b-4eca-b294-136f38e01b5a/Screenshot+2025-01-20+at+15.58.52.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 15. Ruby red glass bottle with a circular raised flat panel on each side, 1720–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e942f2d3-88a2-4d7f-8c77-e112da70d9ff/Screenshot+2025-01-20+at+16.01.03.jpg the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 16. Ruby-red faceted glass bottle, the base marked in regular script Yongzheng nianzhi [Made during the Yongzheng period], 1723–1735. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/bd954f08-aa05-4c59-916a-5d1f85bd536b/Screenshot+2025-01-20+at+16.02.08.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 17. Purple faceted glass bottle. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/11ecf7fa-2af7-4229-8bb6-202faf765f4b/Screenshot+2025-01-20+at+16.18.37.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 18. Imperial yellow faceted glass bottle, 1700–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/caa7dac3-467b-4f3f-9da6-46656b7163c4/Screenshot+2025-01-23+at+12.20.38.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 20. Orange realgar faceted glass bottle, 1700–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/aef69d1b-a1b6-4ab5-8a42-69cb72dfc0f7/Screenshot+2025-01-23+at+12.23.51.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 21. Rare blown sapphire-blue faceted glass bottle with aventurine glass fragments, 1720–1760. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/9444541d-936c-4238-bdbf-c0eeafb1ef32/Screenshot+2025-01-23+at+13.05.17.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 22. Turquoise-green glass bottle carved with framed circular panel on each side, 1710–1760. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/40b0b8d7-f902-4ede-abec-126a27bc3ac2/Screenshot+2025-01-23+at+13.05.42.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 23. Bluish-purple octagonal glass bottle. Crane Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/c8867fa4-8bcb-40a9-ae74-90a54c95186a/Screenshot+2025-01-23+at+13.06.39.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 24. Spinach green glass carved with eight vertical facets, 1723–1770. J & J Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2a37894e-0bd8-4b09-8c9a-603d170cdf63/Screenshot+2025-01-23+at+13.09.07.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 25. Aventurine glass bottle. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/dc98db1c-39a8-4930-af58-ef0a3268790c/Screenshot+2025-01-23+at+13.12.50.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 26. Blue overlay on colorless ground carved with a chi dragon on each side, 1710–1750. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/bb6a95d0-2ba2-4dd0-bba5-92feace437f3/Screenshot+2025-01-23+at+13.14.34.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 27. Swirled or threaded jasper-like glass bottle, 1730–1840. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ae0c4226-fc3e-4e53-955a-c6a02f897fac/Screenshot+2025-01-23+at+13.18.52.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 28. Transparent golden-yellow glass bottle, 1720–1830. Bloch Collection. Fig. 29. Transparent golden-yellow glass bottle decorated with a mallow flower on each side, 1725–1790. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1607f2a7-dd94-4b7d-94f3-eebe41392ba6/Screenshot+2025-01-23+at+13.21.00.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 30. Ruby-red faceted glass bottle with engraved design of flowers, 1720–1745. Bloch Collection. Fig. 31. Red overlay with peach design on colorless glass, 1715–1760. J & J Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e117cfbe-2291-4677-adaa-08d95e7cad76/Screenshot+2025-01-23+at+13.25.50.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 32. Dark green and deep ruby-red glass with inclusions of aventurine splotches, the foot inscribed in regular script, Qianlong nianzhi [Made during the Qianlong period], 1736–1770. Bloch Collection. Fig. 33. Dark green glass bottle with aventurine inclusions, 1723–1780. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4a5250b1-b659-45e6-b038-86eab7757931/Screenshot+2025-01-23+at+13.28.16.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 34. Gold-splashed black ground glass bottle, the base with a four-character Qianlong mark. Fig. 35. Gold splashes on a bluish-green ground glass bottle, the base marked in seal script, Xuegu tang [Hall for the Study of Antiquity], 1720–1780. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2b9a2e38-66ed-4ce7-a40f-58bc5c7513d4/Screenshot+2025-01-23+at+13.34.43.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 36. Transparent turquoise-green glass bottle with gold splashes, 1720–1780. Figs. 37. Plain bluish-green glass bottle and four-character Qianlong mark on the base. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/630fe885-352a-4fc2-aaf6-886c3a278f60/Screenshot+2025-01-23+at+13.35.36.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 38. Brown and beige glass bottle with Qianlong mark on the base. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/cf55bdb8-c7cc-4b50-adc1-e60c0768da82/Screenshot+2025-01-23+at+13.41.22.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 39. Red overlay glass bottle on a snowstorm ground carved to illustrate a vase and antiquities. Fig. 40. Small ruby-red glass bottle carved with raised oval panels, 1736–1750. Fig. 41. Imperial yellow bottle decorated with archaistic design, 1736–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/6b0d473e-f5f6-4303-8746-48285e850b19/Screenshot+2025-01-23+at+13.49.40.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production - Make it stand out Fig. 42. Imperial yellow bottle decorated with archaistic design, Qianlong reign mark on the base. Fig. 43. Crizzled pale ruby-red colorless glass bottle, 1710–1770. Bloch Collection. Fig. 44. Blue overlay on semi-transparent milky glass ground with a continuous design of two kui dragons, 1710–1760. Bloch Collection. https://paviliongallery.com/pavilion-archive/the-origins-of-guyue-xuan-enamelled-glass-wares-ne6lz monthly 0.5 2025-01-27 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b5c130b8-c9ae-4b4b-a4db-b2c2f3a74d92/Screenshot+2025-01-23+at+15.25.03.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 45. Crizzled clear glass with sapphire-blue sploshes, the side showing one small spot of opaque red glass, high on one shoulder, 1736–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/5681ac3b-35ea-4064-9353-14708d1277d0/Screenshot+2025-01-23+at+15.27.01.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 46. Crizzled brown glass bottle and the base marked, Qianlong nianzhi, 1736–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/db8497d7-07e7-4267-9382-459457c96e3d/Screenshot+2025-01-23+at+15.30.14.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 47. Emerald-green glass bottle carved with six ogival panels containing floral designs, Qianlong mark on the base. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2f1afbf5-147d-4f90-857b-fefe873253da/Screenshot+2025-01-23+at+15.32.35.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 48. Imperial yellow glass engraved on both sides with a poetic inscription in clerical script, the base marked in regular script, Qianlong yuzhi [Made by Imperial command of the Qianlong Emperor], 1760–1799. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/8cca1e1d-bf10-4346-9511-e5ce2b217cc0/Screenshot+2025-01-23+at+15.35.01.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 49. Faceted Imperial yellow bottle with incised inscription, Qianlong mark on the base. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ec9c74ba-48ae-45fa-9c9f-e9e9fdfff11a/Screenshot+2025-01-23+at+15.35.57.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 50. Milky-white glass carved with eight lobed panels inscribed with a poem in regular script divided between lobes, 1750–1799. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/44472fa4-55f8-406c-a272-0ab8845aae7f/Screenshot+2025-01-23+at+15.39.14.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 51. Multi-faceted realgar glass bottle, 1710–1780. Bloch Collection. Fig. 52. Double gourd bottle with eight vertical facets in the upper section and convex oval panels in the lower segment, 1736–1780. Bloch Collection. Fig. 53. Multi-faceted double gourd turquoise-blue glass bottle, 1700–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1eb77924-eac7-40f5-b126-b0b8341c075b/Screenshot+2025-01-23+at+15.44.54.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 54. Pale ruby-pink glass with convex circular panels on each side, one containing a lotus plant and the reverse a carp, 1830–1780. Bloch Collection. Fig. 55. Pale pink glass bottle carved to illustrate a continuous design of formalized lotus petals, 1730–1820. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/c369a10e-25df-4552-b2b9-610068162fa2/Screenshot+2025-01-23+at+15.46.05.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 56. Blue glass bottle carved to illustrate a continuous design of a peach tree laden with its fruit. Fig. 57. Blue-green glass bottle carved to illustrate a tree with prunus blossoms. Fig. 58. Cranberry glass carved to illustrate a fortified palace surrounded by water on one side, 1736–1770. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/a33b7305-3033-4caa-988b-23f7a556c6f9/Screenshot+2025-01-23+at+15.47.17.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 59. Colorless glass bottle, 1760–1799. Bloch Collection. Fig. 60. Carved lime-green glass bottle with a chi dragon climbing up each narrow side, 1760–1799. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/eba7ebc9-5779-41f3-8929-565e59f54955/Screenshot+2025-01-23+at+15.51.24.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 61. Ruby-red overlay on pale green ground carved with mask and ring handle on each side, 1730–1780. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/d6bf8ee8-1db6-4483-92db-8ad7fd70a943/Screenshot+2025-01-23+at+15.51.57.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 62. Sapphire-blue overlay on transparent milky glass ground carved to illustrate a bat and two peaches on each side, 1730–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/438740c5-dcc6-4cb8-b93b-ed386118ecb2/Screenshot+2025-01-23+at+15.52.23.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 63. Pale sapphire-blue overlay on snowflake ground carved to illustrate a bat flying above a rising sun, 1730–1780. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f9a84202-96f2-47af-af2d-db135c78bfd9/Screenshot+2025-01-23+at+15.57.19.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 64. Transparent ruby-red overlay on white glass carved with a poetic inscription in clerical script on one side, 1759–1770. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/963faed7-de2f-4046-8578-f382e872015e/Screenshot+2025-01-23+at+15.58.08.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 65. Ruby-red overlay on snowstorm ground carved to illustrate a horse and bat on each side, 1750–1780. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/6ccec282-33fa-46f7-842a-de70d722c012/Screenshot+2025-01-25+at+12.57.24.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 66. White overlay on dark sapphire-blue ground carved with two lily flowers on each side, 1750–1790. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/bab4d79a-58a6-4e1b-af27-51b676b924bf/Screenshot+2025-01-25+at+13.04.15.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 67. White overlay on dark sapphire- blue ground carved to illustrate trees with prunus blossoms and animals. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/70c344f0-4c0f-4676-b832-5edf401fb4b8/Screenshot+2025-01-25+at+13.05.18.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 68. Semi-transparent white overlay on peacock-blue ground carved with a dragon on one side, the reverse with a seal script inscription followed by a cyclical date seal, 1780. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ffbc71c0-6b98-468f-a283-8d0ac24965bb/Screenshot+2025-01-25+at+13.05.51.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 69. Double overlays of milky white and transparent sapphire-blue colors on white glass carved with a continuous design of two four-clawed dragons, 1760–1790. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/03bd3a26-0ccd-4b49-b07f-c49dd45f38f8/34.3.885.jpg the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 70. Double overlays of deep brown and translucent turquoise-blue colors on white glass carved to illustrate children at play, the reverse with an open pavilion and attendants, 1780–1820. Corning Museum Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/541fce2b-74ac-49c6-b1ef-a62e41ae7a06/Screenshot+2025-01-25+at+13.10.43.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 71. Double overlay in pink and green on a milky-white ground, 1750–1850. J & J Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/d4528bff-621f-4b84-a0f1-dda89fd384b8/Screenshot+2025-01-25+at+13.12.24.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 72. Emerald-green glass, the base inscribed in relief seal script, Guyue Xuan [Ancient Moon Pavilion], 1766–1790. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/7ae437fc-3e38-405d-89bd-8bb15c969a22/Screenshot+2025-01-25+at+13.13.00.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 73. Translucent white glass carved on the narrow sides with mask and ring handles, 1767–1790. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2eced4de-6ad5-407c-9faa-6ee1b4722e37/Screenshot+2025-01-25+at+13.13.26.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 74. Realgar glass carved with mask and ring handle on each side, mark on the base. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/a45187ad-4193-467d-9724-e74a04bc4115/Screenshot+2025-01-25+at+13.14.14.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 75. Ruby-red overlay on a yellowish- white ground carved with a continous design of seven double gourds, 1750–1790. Bloch Collection. Fig. 76. Sapphire-blue overlay on a milky- white ground carved with a continous design of a kui or chi dragon, the base marked in regular script, Qianlong nianzhi, 1750–1790. Bloch Collection. Fig. 77. Pink overlay on a turquoise-blue ground carved with a bow tied around a flowering peony and bamboo, 1750–1790. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e4550805-2209-46a0-b556-8e20a7790cbc/Screenshot+2025-01-25+at+13.15.14.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 78. Pale olive-green overlay on a transparent milky ground carved to illustrate a chi dragon and a bat, 1750–1790. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/cd27577c-a92b-4ad5-96ad-805be0e68a72/Screenshot+2025-01-25+at+13.16.34.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 79. Sapphire-blue overlay on a milky-white ground carved to illustrate a butterfly flying over a rocky ground with flowering narcissus, 1750–1790. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f2ae76e7-9e67-4534-aa47-f90442b1a8f7/Screenshot+2025-01-25+at+13.21.48.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 80. Double overlay of white and emerald-green on a pink ground carved to illustrate silkworms, silk moths and cocoons on branches of a mulberry tree, Li Junting School. Bloch Collection https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/8dcdd3aa-59e7-4b1c-a2ca-69ad8f790209/Screenshot+2025-01-25+at+13.22.32.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 81. Double overlay of deep green and yellow on a pink ground carved to illustrate silkworms, a silk moth and cocoons amidst branches of a mulberry tree, Li Junting School. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/6b4540b9-c9a7-4177-a84f-b2075ea6614b/Screenshot+2025-01-25+at+13.23.15.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 82. Double overlay of cinnabar-red and black on a white ground carved to illustrate two herdboys riding their water buffaloes amidst flying bats, dated 1786, Li Junting. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/6ac2df33-1ba0-4568-87cf-94a36f372dac/Screenshot+2025-01-25+at+13.23.45.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 83. Double overlay of black and cinnabar-red on a turquoise ground carved to illustrate an Immortal in a log boat while another figure crouches in the prow and the sun above, dated 1786, Li Junting. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e5242a54-83c5-4060-ba24-cf5129b7faff/Screenshot+2025-01-25+at+13.25.15.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 84. Red overlay on a white ground carved to illustrate Princess Shouyang asleep on a bench beneath a prunus tree with an inscription to the side, the reverse with the Hehe Immortals in a long boat and a seal, Junting, dated 1820. Bloch Collection https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/dd17957a-b61e-4af9-b89b-4ad81f970c2a/Screenshot+2025-01-25+at+13.25.45.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 85. White overlay on a turquoise ground carved to illustate a boy tending two horses with two swallows above and an inscription, the reverse with an old man and a walking staff, his servant standing next to a crane while another flies above, seal Junting, dated 1819. Bloch Collection https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/9b653527-7edc-45ab-8519-3e01c932c8b8/Screenshot+2025-01-25+at+13.26.26.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 86. Green overlay on a white ground carved to illustrate a scholar asleep under three plantains with an inscription on the right, the reverse with two boys paddling a boat with an inscription and seal of the artist, Weizhi. Bloch Collection https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/a456f86b-f011-47bf-b185-5c20c9c6c380/Screenshot+2025-01-25+at+13.36.01.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 87. Cinnabar-red overlay on a white ground carved to illustrate a planter on a stand with prunus tree and inscription above, the reverse with brush-pot holding objects and another scene below, Li Junting. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/242b5fbf-4deb-4eff-955c-5c95ec7a193b/Screenshot+2025-01-25+at+13.39.09.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 88. Blue overlay on a snowflake ground carved as a Spanish coin of eight reales, the reverse with the monarch’s head. J & J Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/3f7d6963-39ac-429b-b17e-581b46683a77/Screenshot+2025-01-25+at+13.39.37.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 89. Plain realgar glass with mask and ring handle, on the narrow sides. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4488374e-efbb-4515-9694-78832ededce2/Screenshot+2025-01-25+at+13.40.01.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 90. Amber-brown glass with swirling threads of milky white. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f43b01c5-7713-44b9-b52a-76d03849e4bc/Screenshot+2025-01-25+at+13.40.28.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 91. Pale peach color with horizontal band and Daoguang mark. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/8eb911d6-7873-45da-9a15-d84d39b7c4fa/Screenshot+2025-01-25+at+13.42.39.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 92. Blue-green monochromatic glass in tear-drop shape. J & J Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4d811cb9-7d27-4027-af35-be23d6245d91/Screenshot+2025-01-25+at+13.43.09.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 93. Teal-blue monochromatic glass in polygonal shape with Daoguang mark. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e7010240-898c-48ba-99dc-6d9b5543054b/Screenshot+2025-01-25+at+13.43.38.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 94. White and black overlays carved to illustrate animals and birds amidst pine trees. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/fb460490-fa8a-422f-8097-5d6fc394e9c2/Screenshot+2025-01-25+at+13.44.39.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 95. Ruby-red overlay on a snowflakeground carved to illustrate a dragon seeking the flaming pearl. Fig. 96. Cinnabar-red overlay on a white ground carved to illustrate on each side four boys linked together to share two heads and two sets of legs and arms, 1780–1850. Bloch Collection. Fig. 97. Blue overlay on a pinkish-white ground carved in the shape of a peach with a severed leafy branch wrapped around it, 1770–1880. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/36e161f2-49ec-4123-a5bd-f97de1ac5d15/Screenshot+2025-01-25+at+13.46.10.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 100. White overlay on a sapphire-blue ground craved to illustrate a chi dragon on each side. Fig. 101. White overlay on a sapphire-blue ground carved with a chi dragon on each side. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/0959506b-fda7-4ee3-9bef-95b6d48e3a0f/Screenshot+2025-01-25+at+13.46.53.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 103. Faceted clear blue glass with a Tongzhi reign mark. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/a7dbdb95-6ee4-4686-a54d-9cf921567795/Screenshot+2025-01-25+at+13.50.43.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 102. Daoguang Emperor portrayed with two glass overlay snuff bottles. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e970debe-af32-4b1f-8bda-4b59ef8da806/Screenshot+2025-01-25+at+13.51.50.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 104. Turquoise-blue glass carved on each side with an identical design of a tied bunch of lotus stems, the narrow sides each with an inscription and the base, Guangxu period. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/15f339c9-b409-4eaa-b2e7-a4d5d3d67c1e/Screenshot+2025-01-25+at+13.52.28.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 105. Multi-colored overlay on a snowflake ground carved as a single overlay illustrating a fu lion in a rocky landscape. Fig. 106. Overlays in blue, ruby-red, green and purple on a white ground carved to illustrate sixteen mythical creatures in various stages of transformation of a carp into a dragon, Guangxu period. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f8d5ee97-f1f4-4511-96c8-8a98f7850c00/34.2.1596%28c%29.jpg the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 107. Translucent white glass engraved on one side with three scholars and trees, the reverse and the area above the figures inscribed with the text from Su Shi’s Second Ode to the Red Cliff, 1890–1910. Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b0f68150-19f4-4206-8fd8-5d9f797e1fb0/34.2.1596.jpg the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4a758088-aa22-4cea-9145-c407bdd93bac/Screenshot+2025-01-25+at+13.54.04.png the Pavilion Archive - An Overview of Qing Glass Snuff-Bottle Production, Part II - Make it stand out Fig. 108. Tanslucent grayish-white glass engraved on one side with a scholar being punted in a boat beneath cliffs and inscription, the reverse with an inscription followed by a signature, Wu Xijiu, and seal of the artist. Bloch Collection. https://paviliongallery.com/pavilion-archive/the-origins-of-guyue-xuan-enamelled-glass-wares monthly 0.5 2025-01-20 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b61b0e04-3a9e-40af-9e0e-ac3c3d0c4973/Screenshot+2024-07-11+at+20.19.11.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Plan of the Imperial garden complex. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/226c3682-d866-4fbf-adf2-f1deb93bc95c/Screenshot+2024-07-11+at+20.19.23.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Plan of the Jian yuan. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/afd4928c-65d9-41af-882b-45ee6d93f21f/Screenshot+2024-07-11+at+09.25.06.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 1. Sixth month of 1767. The neck inscribed Keren ruyu 可人如玉 (‘A most suitable man is as estimable as jade’). Formerly Hamilton Collection, Dallas. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2b7fbf20-853e-4b76-bdc6-8a1c7b62074f/Screenshot+2024-07-11+at+09.30.15.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/23e78d65-4b6c-4371-8d0a-fb6db30fba77/Screenshot+2024-07-11+at+09.29.27.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 2. Sixth month 1767. The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). J & J Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/12b74b61-69d5-4991-a97b-64c918cb1e7a/Screenshot+2024-07-11+at+09.34.43.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 3. Dated to Qianlong 1767, with the name Hu Xuan 胡軒, the neck inscribed Shangshang 上賞 (‘First Prize’). Water, Pine and Stone Retreat collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/69220542-c65c-4bab-96bf-74f0634abf1e/Screenshot+2024-07-11+at+09.36.29.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 4. Dated to the sixth month of 1767, with the name Hu Xuan胡軒 concealed within the shoulder band. Sanctum of Enlightened Respect Collection, Singapore. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/777b801e-c92d-4ce4-aede-809f7a5acc5f/Screenshot+2024-07-11+at+09.40.41.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e519b293-0f71-4cd8-b0bd-977f3cd49dfc/Screenshot+2024-07-11+at+09.38.56.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 5. Dated 1767 seventh month, the foot inscribed 古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Laurence Souksi, Paris. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/47a954bb-f75a-4e94-a556-94dd0b0d04f4/Screenshot+2024-07-11+at+09.57.55.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 6. Dated to the third day of the seventh month of 1768 in the Qianlong reign, the shoulder band inscribed Hu Xuan jingzh i胡軒敬製 (‘Respectfully made by Hu Xuan’). The foot without text. Water, Pine and Stone Retreat Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/c44afec7-c242-454a-bc84-51098f6bb785/Screenshot+2024-07-11+at+10.00.08.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig.7 Dated to the sixth month 1768 and inscribed Zuoyu neiting 作于内廷 (‘Made at the Inner Court’). Formerly in the Mary and George Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/eb669a4f-3148-4ac0-aeaa-cbae7fb5dbe1/Screenshot+2024-07-11+at+10.01.09.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 8 Dated to the Autumn of 1768 in the Qianlong reign. Archival photograph https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/bb08dc01-81ad-4252-9681-1aca5e77640a/Screenshot+2024-07-11+at+10.03.05.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/6761f694-743e-4a10-827f-32e02d0e0af7/Screenshot+2024-07-11+at+10.03.29.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 9 Thumb-ring dated to 1768 with seal Hu 胡. Water, Pine and Stone Retreat collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e6a1c069-7e0c-46ff-9d00-e754cfbddd29/Screenshot+2024-07-11+at+10.05.54.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2b0be806-2c5a-4d7a-bacf-678983958cfe/Screenshot+2024-07-11+at+10.06.12.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 10 Dated summer of 1769, with the trigram seal Qian, preceding the inscription, the foot inscribed 乾隆年製 Qianlong nian zhi (‘Made during the Qianlong period’). Bonhams, New York, 1 February 2018. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2219bcd7-6209-4d6b-b824-4aa553f6424b/Screenshot+2024-07-11+at+10.07.47.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/6c17a950-6f80-4c6c-bd3c-70aaea5e4162/Screenshot+2024-07-11+at+10.08.00.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 12. Dated to 1769 of the Qianlong reign, the foot inscribed乾隆年製 Qianlong nian zhi (‘Made during the Qianlong period’). Stephen Lee collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/64675ac8-d7a8-42e2-8ef6-95c110078f36/Screenshot+2024-07-11+at+10.11.45.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/d0ce272b-02a5-4d39-aa31-5107dec9b690/Screenshot+2024-07-11+at+10.11.56.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 12 Dated 1769 of the Qianlong reign, the foot inscribed 古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Water, Pine and Stone Retreat collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ad1fc346-9c49-4cad-98d1-9339101025c9/Screenshot+2024-07-11+at+10.15.51.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ec97aee4-50fb-4199-ac58-fd81f842e048/Screenshot+2024-07-11+at+10.16.07.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 13 Dated to the sixth month of 1770, the foot inscribed 古月軒 Guyue xuan (‘Ancient Moon Pavilion’). The Crane Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/5cbeb5db-d189-40ae-9a81-7d0a99fd29c6/Screenshot+2024-07-11+at+10.20.36.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/0325ce18-9140-427e-8928-2601822c0ac8/Screenshot+2024-07-11+at+10.20.46.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 14 Dated to 1775 in the seal, the foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Water, Pine and Stone Retreat Collection https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/60e8928c-54cb-43e4-b974-04e7a96f4218/Screenshot+2024-07-11+at+10.23.07.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/73ecda43-5f09-4e37-b751-694627354397/Screenshot+2024-07-11+at+10.23.18.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 15 Inscribed around the neck 乾隆年製 Qianlong nian zhi (Made during the Qianlong period) The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4d1c3d80-049e-4a2b-b445-8cf99353c9ca/Screenshot+2024-07-11+at+10.25.28.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 16 Inscribed in seal script preceding the main-side inscription 乾隆年製 Qianlong nian zhi (‘Made during the Qianlong period’), any mark on the foot unrecorded. Arts of China, Hong Kong. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f97f3b5b-e873-47df-a089-6b7c6c23bcda/Screenshot+2024-07-11+at+10.28.24.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 17 The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Anita and Mario Zurrer collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/cbe9825c-5483-4e11-ac7e-c7a93ad6bfa1/Screenshot+2024-07-11+at+10.28.37.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 18 The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Formerly Mary and George Bloch Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/751ebc18-bd7e-43a8-9fe7-a46219940ffc/Screenshot+2024-07-11+at+10.28.47.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 19 The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Rosemary and Hugh Henry-May collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/9116bec8-e7c0-4821-8c0c-0780fecaed68/Screenshot+2024-07-11+at+10.31.30.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 20 The foot engraved with古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Private collection, England. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ffa7ae26-f3d6-478b-9e55-2af3e4e297d7/Screenshot+2024-07-11+at+10.34.10.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/8428357f-fca0-44ea-85bd-14fa80f03f36/Screenshot+2024-07-11+at+10.34.20.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 21. The earliest known example with partial relief carving. The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Marakovic Collection, Vienna. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/3364241b-ea7b-4d7c-bbfc-c2dbe0e46b8d/Screenshot+2024-07-11+at+10.39.42.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 22. The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Formerly Mary and George Bloch collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e4c10091-d7d1-4b62-a09f-311e29726f03/Screenshot+2024-07-11+at+10.41.21.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/6d724491-c165-4bb8-828b-db530898b438/Screenshot+2024-07-11+at+10.41.28.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 23. Probably 1770-1780. Signed Wu Yuchuan 吳玉川in a seal, the foot inscribed 古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Formerly Mary and George Bloch collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e890ca37-5b17-40f4-9d3c-b8d12faa77a3/Screenshot+2024-07-11+at+10.47.20.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/36a2a35f-bd38-40a2-b027-05dbdfeefebd/Screenshot+2024-07-11+at+10.47.27.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 25. Probably 1770-1799. The foot inscribed 大清年製 Da Qing nian zhi (‘Made during the Qing dynasty’). J & J Collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/bc03d7b5-1a8c-45b4-b6a8-2ed2f370deed/Screenshot+2024-07-11+at+10.49.47.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/4d7a365d-168f-43a9-a5a3-8b48c9bc94e2/Screenshot+2024-07-11+at+10.49.57.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 26. Probably 1770-1799. The foot inscribed 古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Water, Pine and Stone Retreat collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/22ca885c-ddd7-4d51-b207-b6dc034fc66d/Screenshot+2024-07-11+at+11.14.32.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/add098dc-1c97-4c93-ba1e-0e8b4f18bda5/Screenshot+2024-07-11+at+11.14.45.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 27. The foot engraved 乾隆年製 Qianlong nian zhi (‘Made during the Qianlong period’). Water, Pine and Stone Retreat collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/dd8798af-e390-4c01-a7da-10f5a2f35cc5/Screenshot+2024-07-11+at+11.17.36.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/343f6c98-e513-4e59-b448-2426fdd89205/Screenshot+2024-07-11+at+11.17.49.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig 28. The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Water, Pine and Stone Retreat collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/32191c4f-671b-4031-8c22-7e11572a228c/Screenshot+2024-07-11+at+11.19.38.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/733006f3-9706-47c9-a5aa-f7d1183d256b/Screenshot+2024-07-11+at+11.19.52.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 29. The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Water, Pine and Stone Retreat collection. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ba617207-42eb-4486-a13d-2f1bf63c887d/Screenshot+2024-07-11+at+11.21.31.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/0572d02b-6544-4230-887d-2b3be1611212/Screenshot+2024-07-11+at+11.21.42.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 30. The foot inscribed古月軒 Guyue xuan (‘Ancient Moon Pavilion’). https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/12cfe756-99df-4838-b50a-18a8933a45ac/Screenshot+2024-07-11+at+11.23.13.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 31. Excavated from a tomb, probably in the environs of Beijing, the foot inscribed 乾隆年製 Qianlong nian zhi (‘Made during the Qianlong period’). https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/11652f96-424a-4be4-9925-771749267c4d/Screenshot+2024-07-11+at+11.24.41.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 32. Poem by the Qianlong emperor with古月 guyue as the first two characters. Jingdezhen imperial kilns, under the directorship of Tang Ying, who probably wrote the text. Water, Pine and Stone Retreat collection 21.3.583. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b3dcc696-2a8e-4edc-b732-acfd4884917f/Screenshot+2024-07-11+at+11.26.04.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/e33d1be7-50e7-41f6-bc0b-273b3f6f3660/Screenshot+2024-07-11+at+11.26.13.jpg the Pavilion Archive - The Origins of Guyue Xuan Enamelled Glass Wares by Hugh Moss - Make it stand out Fig. 33. Realgar glass made at the Palace glassworks and carved at the lapidary works, the foot inscribed in relief, seal-script古月軒 Guyue xuan (‘Ancient Moon Pavilion’). Water, Pine and Stone Retreat collection 34.2.686. https://paviliongallery.com/pavilion-archive/interview-paul-moss-on-the-single-feather-of-auspicious-light monthly 0.5 2024-07-19 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/231b8797-7b63-4306-8630-f3395ff9f3ce/Gloria%2BA.jpg the Pavilion Archive - Interview: Paul Moss on The Single Feather of Auspicious Light - Make it stand out Sydney L. Moss’s catalogue A Single Auspicious Feather of Light https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/045a0411-bd20-4ca9-8521-9e07aa8e4c21/Tao+Lengyue+group+RS+flt.jpg the Pavilion Archive - Interview: Paul Moss on The Single Feather of Auspicious Light - Make it stand out T’ao Leng-yuëh https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/094bdfe9-bb6d-4e61-b294-53bdceeaf688/Wu+Bin+4.jpeg the Pavilion Archive - Interview: Paul Moss on The Single Feather of Auspicious Light - Make it stand out Wu Bin https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/740abfac-8b8b-418b-b3ce-c8ceec79f465/Chien+Tu+HS+4.jpg the Pavilion Archive - Interview: Paul Moss on The Single Feather of Auspicious Light - Make it stand out Ch’ien Tu https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/10cff733-3a1e-433c-a9a1-896c03657c33/Shen+Zhou.jpg the Pavilion Archive - Interview: Paul Moss on The Single Feather of Auspicious Light - Make it stand out Shen Zhou https://paviliongallery.com/pavilion-archive/paper-women-painters-of-the-ming-dynasty-by-tseng-yuho monthly 0.5 2024-02-28 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/b5f62cde-f226-4382-beb9-ea4f6a8237ff/Fig+1.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/cde70a5e-e57d-4dee-b081-5e7137abfcca/fig+2.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/ee2adb3a-b20f-4bbf-b4ec-ed13f98893f4/fig+3.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/7544024f-f623-4014-a7ea-31db11bd7b72/fig+4.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/fccb7c84-4fc5-4152-8370-0875b5fe5a1b/fig+5.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/afc98f24-afab-4c2f-8236-c137aea10af8/Fig+6.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/5e15ece6-6d9f-4269-ba58-93da7306204d/fig+7.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/2e4e639a-1344-4c61-afd5-2ce7e50ec62a/fig+8.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/9fb59426-029c-49cf-b7e6-f11d725bfe4d/PDF+glossary.jpg the Pavilion Archive - Essay: Women Painters of the Ming Dynasty by Tseng Yu-Ho - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/pavilion-archive/essay-shadow-skeletons-and-new-realities-guohua-and-cultural-identity-by-arnold-chang monthly 0.5 2024-02-28 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/795784dc-351f-4b98-9c37-b7d3b829dbfa/2015_HGK_03425_1244_000%28qi_baishi_flowers_and_butterflies%29.jpg the Pavilion Archive - Essay: Shadow Skeletons and New Realities: Guohua and Cultural Identity by Arnold Chang - Make it stand out Qi Baishi - Flowers and Butterflies (1941) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/191c87df-0da8-4f22-85a7-b0c9dcce78f7/10206403314_ee3ef80b0c_n.jpg the Pavilion Archive - Essay: Shadow Skeletons and New Realities: Guohua and Cultural Identity by Arnold Chang - Make it stand out Fu Baoshi - Electric Power Lines (1954) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/398c30d2-7241-4bc4-aa2a-f55cbc82800e/2010_HGK_02822_2630_000%28lin_fengmian_lotus_pond%29.jpg the Pavilion Archive - Essay: Shadow Skeletons and New Realities: Guohua and Cultural Identity by Arnold Chang - Make it stand out Ling Fenmian - Lotus Pond (20th Century) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/f20db4f7-e5ee-4252-b19a-a7b782864a61/don%2Bxiwen.jpg the Pavilion Archive - Essay: Shadow Skeletons and New Realities: Guohua and Cultural Identity by Arnold Chang - Make it stand out Dong Xiwen - The Founding Ceremony of the Nation (1967) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/3dae5776-c5c3-4957-90c3-426583d47e25/6fecbea7f3c36034b18cb6ffe545d9f2.jpg the Pavilion Archive - Essay: Shadow Skeletons and New Realities: Guohua and Cultural Identity by Arnold Chang - Make it stand out Wucius Wong - Autumn Equinox (1966) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/349f6d08-557d-40e3-b5de-056c3d958c6a/1141e9af86cb45128e4a8244c02c847a.jpg the Pavilion Archive - Essay: Shadow Skeletons and New Realities: Guohua and Cultural Identity by Arnold Chang - Make it stand out Pan Tianshou - Chinese Beautiful Landscape (1959) https://paviliongallery.com/pavilion-archive/unsung-heroes-of-ink-an-interview-with-olivia-wang-by-alexander-whittaker-98ppm monthly 0.5 2024-02-08 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694202139-7SS4HJVI2OIREBL32OTX/Chinese+Folk+Art+Tseng+Yu-ho+1.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694211613-GIQTUCVKI9MTSDALNE5R/Chinese+Folk+Art+Tseng+Yu-ho+10.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694197447-4NNVBBWI8TRZCVU7KG85/Chinese+Folk+Art+Tseng+Yu-ho+2.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694201894-801E9SZSYOT4AFRHD87O/Chinese+Folk+Art+Tseng+Yu-ho+3.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694204773-UZ6LHNW1RE86R1Q0UOVG/Chinese+Folk+Art+Tseng+Yu-ho+4.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694204649-BAF42BFFHGR06OPDMU8G/Chinese+Folk+Art+Tseng+Yu-ho+5.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694206854-L5Q8P54Y2HQMUBBWL8J0/Chinese+Folk+Art+Tseng+Yu-ho+6.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694212977-46PP3PNAVO6HWQ7H6UJY/Chinese+Folk+Art+Tseng+Yu-ho+12.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694207124-WW029X0IEVTOEKU3CSWX/Chinese+Folk+Art+Tseng+Yu-ho+7.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633694210891-XICZAU7LEO2OSJ7V8W9U/Chinese+Folk+Art+Tseng+Yu-ho+9.jpg the Pavilion Archive - Images: Chinese Folk Art Exhibition Catalogue by Betty Ecke (aka Tseng Yu-ho), 1976 https://paviliongallery.com/pavilion-archive/cyclical-dating monthly 0.5 2024-02-08 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633612600499-67T4ZHD3LRBV15MBM31Z/Archive+cyclical+dating+2.jpg the Pavilion Archive - Research: Cyclical Dating Chart (from Chinese Snuff-Bottles No. 1, edited by Hugh M. Moss) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1633612643656-R8WD1SPNGYRJCM0KOUNF/Archive-cyclical+dating+1.jpg the Pavilion Archive - Research: Cyclical Dating Chart (from Chinese Snuff-Bottles No. 1, edited by Hugh M. Moss) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://paviliongallery.com/pavilion-archive/category/Archives monthly 0.5 https://paviliongallery.com/pavilion-archive/category/interviews monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/1976 monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/folk+art monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/archives monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/exhibition+catalogue monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/Chinese+Art monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/dating monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/chinese+art monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/snuff+bottles monthly 0.5 https://paviliongallery.com/pavilion-archive/tag/Hawaii+Bicentennial monthly 0.5 https://paviliongallery.com/viewing-room-texts daily 0.75 2021-10-29 https://paviliongallery.com/viewing-room-texts/hong-kongs-ink-pioneer monthly 0.5 2024-01-10 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635515145099-81V2J0L183DVXGX7RL4F/Screenshot+2021-04-10+at+15.37.52.png Viewing Room Texts - Hong Kong's Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Lui Shou-kwan https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635673425984-JF4B0BHJEF0TMKJOUJ0Z/ink+play.png Viewing Room Texts - Hong Kong's Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig.1 Ink Play | Lui Shou-kwan (1964, 179.5 x 95.5cm, Chinese ink and colour on rice paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635515845935-G9BBI3SF565E7F1BLB86/Robert+motherwell.png Viewing Room Texts - Hong Kong's Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig.2 Beside the Sea | Robert Motherwell (1967, 76.8 x 55.2 cm, Acrylic and ink on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635515933950-997M81I52ZCIBA68Y7NY/1.png Viewing Room Texts - Hong Kong's Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 3 Fisherman after Wu Zhen | Lui Shou-kwan (1967, 180 x 95 cm, Ink and colour on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635516045938-HIA5GPXB1EUYLO4KXDJA/flower-in-jar-1689.jpg Viewing Room Texts - Hong Kong's Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 4 Flower in a Jar | Bada Shanren (1689, dimensions unknown, ink on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635516150303-13LBXBD9H3TWIVXOXE0A/Screenshot+2021-04-13+at+11.18.58.png Viewing Room Texts - Hong Kong's Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 5 Sailing Upstream | Lui Shou-kwan (1967; 45 x 81 cm; ink and colour on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635516203671-F1SBH9JAPUBHQBNXIUAY/Screenshot+2021-04-13+at+11.19.35.png Viewing Room Texts - Hong Kong's Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 6 Landscapes Depicting Poems of Huang Yanlu | Shitao, or Zhu Ruoji (dated 1701-02; each image 20.5 x 34 cm; ink and colour on paper) https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1635516287800-9UZPBM3HAPKBOAN7MC2M/Screenshot+2021-04-13+at+16.18.56.png Viewing Room Texts - Hong Kong's Ink Pioneer: a Discussion of the Work of Lui Shou-kwan (1919-1975) - Make it stand out Fig. 7 Luk Keng Village | Lui Shou-kwan (1969; 139 x 69 cm; ink on paper) https://paviliongallery.com/viewing-room-texts/category/longreads monthly 0.5 https://paviliongallery.com/viewing-room-texts/category/interviews monthly 0.5 https://paviliongallery.com/artefacts daily 0.75 2026-02-12 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1769100587554-CVP80NM18FZVSA4XUY3B/34.3.1010%28c%29.jpg Artefacts | New Seasonal Collections - THE WINTER COLLECTION 2026 https://paviliongallery.com/privacy daily 0.75 2021-08-03 https://paviliongallery.com/contact daily 0.75 2021-08-03 https://paviliongallery.com/enquire daily 0.75 2021-09-17 https://paviliongallery.com/catalogues daily 0.75 2024-01-30 https://paviliongallery.com/catalogues/pavilion-summer-2022 monthly 0.5 2025-10-28 https://images.squarespace-cdn.com/content/v1/610942935d48ee09095f3b7a/1706624529791-OLO26R4WY3EGRMB0I69F/summer+2022.jpg Catalogues - 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